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    After graduating from Covent Garden’s prestigious Jette Parker Young Artist Programme, Lauren Fagan has developed into one of today’s finest young sopranos. Her debut this summer as Violetta in Rodula Gaitanou’s new production of La traviata for Opera Holland Park was met with unanimous critical acclaim for both her richness of tone and compelling stage presence. This season Lauren returns to the Royal Opera House as Woglinde in Keith Warner’s Ring Cycle under Sir Antonio Pappano, as well as making her role debut as Alcina at the Internationale Händel-Festspiele Karlsruhe. Her tone blazes with existential defiance and desperation, and she possesses both the agility for act one – Sempre Libera is capped by a dazzling top E flat – and the dramatic weight for the closing scenes.” -The Guardian 2018 Notable recent highlights have included Roxana (Szymanowski’s Krol Roger) under Antonio Pappano in Rome with the Accademia Nazionale di Santa Cecilia, Donna Elvira (Don Giovanni) with NHK Symphony Orchestra under Paavo Järvi, as well as Donna Anna and Musetta (La bohème) for her company debuts with Opera Holland Park and Welsh National Opera, respectively. Further ahead Lauren’s plans include her role debuts as both Vitellia (La clemenza di Tito) and Tatyana (Eugene Onegin). Equally in demand on the concert stage, recent successes have included joining Sakari Oramo for Vaughan Williams’ Serenade to Music as part of the First Night of the BBC Proms, Peer Gynt with Orchestre national de Lyon under Leonard Slatkin, and Agnès in concert performances of George Benjamin’s Written on Skin, with the Melos Sinfonia conducted by Oliver Zeffman, in London at LSO St Luke’s and also in St. This season Lauren sings Beethoven’s Symphony No.9 with Symphoniker Hamburg under Eivind Gullberg-Jensen, and with Oslo Philharmonic conducted by Klaus Mäkelä, as well as joining the Bournemouth Symphony Orchestra for Tippett’s A Child of Our Time under David Hill. During her seasons at Covent Garden, Lauren not only had the privilege of working with such esteemed conductors as Nicola Luisotti, Gianandrea Noseda, Sir Mark Elder, Daniel Oren, Christian Curnyn, Cornelius Meister, Daniele Rustioni and Ivor Bolton but also developed an extensive repertoire of roles. Her appearances in a number of diverse productions on the main stage, ROH2, and the Linbury Theater included Oscar (Un ballo in maschera), Suor Genovieffa (Suor Angelica), Giannetta (L’elisir d’amore), Lila (The Firework-Maker’s Daughter), Ines (Il trovatore), Sophie (Werther), Jemmy (Guillaume Tell), Lia (L’enfant prodigue), Blue Fairy (The Adventures of Pinocchio) and Giulia (La scala di seta). Sharon Irish slirish (at) gmail (dot) com DEGREES 1985 Ph D, Northwestern University, Evanston, Illinois, Art History 1982 MA, Northwestern University, Evanston, Illinois, Art History 1976 BA, University of New Mexico, Albuquerque, New Mexico cum laude in Art, magna cum laude in General Studies CURRENT Retired, independent researcher SELECTED LECTURES AND PRESENTATIONS “Stephen Willats’ , New York City, February 15, 2017 “Stephen Willats and the Performance of Information Flows,” Computer Arts Society, London, U. K., May 9, 2016 ”Predictive and Prescriptive Thinking: Considering Stephen Willats,” Anticipation Research Group, University of Bristol, Bristol, U. K., April 28, 2016 “Coded Landscapes: Stephen Willats’ Place-Based Work in the UK,” Museo Tamayo, México, D. F., February 10, 2015 “Fem Tech Net,” With Radhika Gajjala and Alexandra Juhasz, Fem Tech Net Video Dialogue on “Place” November 14, 2013, Pitzer College, Los Angeles, CA Central Library Reinvented, May 8, 2013, St. Louis Public Library” Network 45-plus: Post-War Architecture in Europe: Community Spaces: Conception, Appropriation, Identity, September 8, 2012, Technische Universität Darmstadt, Germany, “Two Doves to Tower Mosaic: Artists in Public at Warwick and Brindley Estate, London” Visual Studies Colloquium, November 3, 2011, Illinois State University, Bloomington-Normal, IL, “Positionality, Performance, Participation: The Art of Suzanne Lacy” Rewire: the 4th International Conference on Media Art Histories, September 28-30, 2011, Liverpool, UK, “The Socio-spatial Practice of Artist Stephen Willats” Tryk Tryk Tryk Gallery, June 18, 2011, Copenhagen, Denmark, “Traversing Art: Works by Suzanne Lacy” (book talk) Erasing Boundaries: Service-Learning in Landscape Architecture and Architecture, April 30, 2011, New York City [Poster] “Spaces of Connection: Designing a High-Tech Collaborative Space for Youth,” with Deven Gibbs, Martin Wolske and Debarah Mc Farland Computers, Information and Society Special Interest Group, Society for the History of Technology, October 3, 2010, Tacoma, Washington, “Meta Filter: Coming to Agreement with Interactive Computer Technology” Center on Democracy in a Multiracial Society, University of Illinois, Urbana-Champaign, April 7, 2010, Roundtable, “Diversity and Democracy” conference, with Sam Smith, Ken Salo, and Ryan Griffis, “Reflecting on Campus-Community Interactions: Arts, Activism and Public Memory” Urbana Free Library, March 17, 2010, Urbana, IL, “Concepts in Public: The Art of Suzanne Lacy” (book talk) College Art Association Annual Meeting, February 2010, Chicago, IL, “Aspects of the Civic: Chicago’s Daley Center and Plaza” Community Informatics Initiative Research Series, January 27, 2010, Graduate School of Library and Information Science, University of Illinois, Urbana-Champaign, “Imperfect Community” GRANTS 2018, Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL, Publication Grant, “Stephen Willats and the Social Function of Art: Experiments in Cybernetics and Society” 2015, Creative Capital | Warhol Foundation Art Writers Grant Program, Stephen Willats, 1970-2012 2015, Paul Mellon Centre for Studies in British Art, Stephen Willats, 1970-2012 2014, Colston Research Fellowship, Institute of Advanced Studies, University of Bristol (UK), Department of Drama: Theatre, Film & Television, “In the Margins? “Art in Public at Warwick and Brindley Estate, London.” In Community Spaces: Conception – Appropriation – Identity. Local Knowledge and Self-Organisation” 2011, Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL, Research and Development Grant, “The Socio-spatial Practice of Artist Stephen Willats” 2003-2005, University of Illinois Research Board, “The Embodied Art of Suzanne Lacy” 2000-2001, University of Illinois Research Board, “Layers in the Loop: ‘Full Circle’ by Suzanne Lacy” PUBLICATIONS: Winner of David Gebhard Book Award of the Minnesota Chapter of the Society of Architectural Historians, 2000; Winner of Publication Award, Metropolitan Chapter of the Victorian Society in America, 2000; Finalist, Minnesota Center for the Book Award in History, 2000; published as e-book by Random House, 2010 Edward N. Edited by Maren Harnack, Tobias Michael Wolf, Sebastian Haumann, et al. (Berlin: ISR Impulse Online/Institut für Stadt- und Regionalplanung, 2015). “Spaces Of Connection: Implementing the Design of a High-Tech Learning Space for Youth.” In Community Matters: Service Learning and Engaged Design and Planning. Edited by Gabrielle Cody and Meiling Cheng (Routledge, 2015). Edited by Mallika Bose, Cheryl Doble, Paula Horrigan, and Sigmund Shepp. (refereed) “‘Great Gray Buildings’: The United States Army Supply Base in Brooklyn, New York.” Pp. (invited) “Hierarchies in the Circuitry: Women, Information Technology and Scholarship (WITS) at Illinois.” Technology’s Stories [online publication of the Society for the History of Technology] (November 2013). “Structures of Participation: Performing Local Knowledge.” 49:1(January 2008): 202-214. Three Interviews on the Concept of Spatial Justice.” Producer and interviewer.

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